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In Don't Tell, Lauren knows that by returning to the town where her mother drowned seven years ago, she'll be reliving one of her most haunting memories. When she arrives, she is propelled into a series of mysterious events that mimic the days leading up to her mother's death. Maybe her mother's drowning wasn't an accident after all…and maybe Lauren is next.
It’s been a year since Ivy’s boyfriend, Tristan, died. They’ve both moved on — Tristan to the other side of the afterlife, and Ivy to sweet, dependable Will. Now Ivy’s heading to Cape Cod, hoping to leave the horror of last summer behind. She wants nothing more than to lie on the beach, sip lemonade, and hang out with her friends. But then a car crash ends Ivy’s life. As she floats to the beyond, looking down on the life she’s left behind, Tristan breathes life back into her with a passionate kiss. She wakes up in the hospital, surrounded by Will and her family, but all she can think about is the love that she lost. But memories aren’t all that’s come back from the past. And this time, Ivy’s not sure love will be enough to save her.
Ivy and Tristan have the love of a lifetime-until Tristan dies in a car accident. Now Tristan returns as an angel, but Ivy is unable to feel his presence.
Two girls haunted by the past…and destined to relive it. In Legacy of Lies, Megan has to stay with the uptight grandmother she wants nothing to do with. She's determined to get through the visit without any drama, but when she falls into a twisted love triangle with potentially fatal consequences, Megan may be caught up in her family's legacy in more ways than she realizes.
Secrets taken to the grave don’t always stay buried. In No Time to Die, Jenny is devastated by the recent death of her sister, Liza. Looking for a sense of closure, she secretly signs up for the drama camp where Liza died. Jenny knows that someone here holds the key to what really happened to Liza that night, but if she doesn’t find out the truth soon, she may become the next victim.
Psychic…or psychotic? Anna knows her family is crazy. But when she goes to visit her aunt and uncle for the summer and learns that her uncle’s charred body has been found, her life reaches a new level of insanity. Her erratic aunt’s “psychic” abilities are exaggerated by her grief, and have become borderline violent. Alone in an unfamiliar town, Anna struggles to pick up the pieces and establish any sense of normalcy. She desperately wants to trust Zack, the cute boy next door, but even he might know more about the incident than he is letting on. But when Anna starts feeling an inexplicable pull to the site of her uncle’s murder, she begins to believe that her family’s supernatural gifts are real after all. Torn between loyalty and suspicion, Anna is certain of only one thing: she must discover who killed her uncle or she could be next….
In The Deep End of Fear, Kate has tried to bury the horrible memories associated with the Westbrook estate. After her best friend Ashley drowned on the estate, Kate vowed never to return. But now, twelve years later, she is drawn back towards the house and that fatal icy pond. There, Kate still feels Ashley’s presence and the past seems to be pulling her back towards Ashley’s life-threatening dares.
A month after his death, angel Tristan is still trying to warn Ivy of impending danger. Only after narrowly escaping death does Ivy know the truth-Tristan is with her, and angels do exist. For young adult readers, this trilogy blending celestial visitors, teen romance and suspense is a match made in heaven.
Ім'я перського поета і мислителя XVII століття Омара Хайяма добре відомо кожному. Його чотиривірші - рубаї - займають особливе місце в скарбниці світової культури. Їх цитують всі, хто любить слово: від тамади на пишному весіллі до навченого життям відлюдника-письменника. Протягом багатьох століть рубаї привертають поціновувачів прекрасного своїм коштовним словесним огранюванням. У бездоганному чотиривірші Хайяма уміщається весь життєвий досвід людини: це і весела суперечка з Долею, і сумні бесіди з Вічністю. Хайям зробив жанр рубаї широко відомим, довів цю поетичну форму до досконалості і залишив нащадкам вічне послання, пронизане рідкісною свободою духу.
In My Blood Approves, Peter Townsend fell in love with Alice Bonham, but she wasn't his first love. In a new novella told through his letters, his history is revealed.
A story set in Regency England. When a chivalrous impulse saddles Viscount Desford with a homeless waif in the engaging shape of Cherry Steane, he asks his childhood playmate, Henrietta Silverdale, for help. Although they refused to oblige their parents by marrying, they remain the best of friends.
With her knack for being in trouble's way, Sookie witnesses the firebombing of Merlotte's, the bar where she works. Since Sam Merlotte is now known to be two-natured, suspicion falls immediately on the anti-shifters in the area. Sookie suspects otherwise, but her attention is divided when she realizes that her lover Eric Northman and his "child" Pam are plotting to kill the vampire who is now their master. Gradually, Sookie is drawn into the plot-which is much more complicated than she knows...
Adam Penhallow’s death seems, at first, to be by natural causes. But Penhallow wasn’t well liked — so bad tempered, that both his servants and his family hated him. It soon transpires that Penhallow was murdered, poisoned, in fact, on the eve of his birthday celebration, and there are more than a dozen prime suspects.
Faro’s Daughter is one of Georgette Heyer’s popular Regency romances. Faro was a popular card-game of the day, and the chief character in the novel is Deborah Grantham, a tall young woman with laughing, dark eyes, who sits all night at the tables in-the polite gaming-house in St James’s Square run by her aunt, Lady Bellingham. Young Lord Mablethorpe has fallen madly in love with Deb and announces that he intends to marry her. His mother, frantic with apprehension, begs her nephew Max Ravenscar (who manages her fortune) to intervene and to try to buy Deb off. Max is a bachelor of middle age, who prefers the pleasures of the cockfight and the racecourse to those of the ballroom and the usual haunts of fashion. He thinks his task is easy. But Deb is as spirited as she is beautiful: boiling with indignation, she refuses to be bribed, and plans revenge on the man who has thus insulted her. So the charming comedy proceeds to its amusing end. The author’s skill in reproducing the gay atmosphere of the Regency years is so great that we feel we are actually living among the elegant, leisured and wealthy denizens of London’s West End at that time.
Even in Grundy, Alaska, it’s unusual to find a naked guy with a bear trap clamped to his ankle on your porch. But when said guy turns into a wolf, recent southern transplant Mo Wenstein has no difficulty identifying the problem. Her surly neighbor Cooper Graham—who has been openly critical of Mo’s ability to adapt to life in Alaska—has trouble of his own. Werewolf trouble. For Cooper, an Alpha in self-imposed exile from his dysfunctional pack, it’s love at first sniff when it comes to Mo. But Cooper has an even more pressing concern on his mind. Several people around Grundy have been the victims of wolf attacks, and since Cooper has no memory of what he gets up to while in werewolf form, he’s worried that he might be the violent canine in question. If a wolf cries wolf, it makes sense to listen, yet Mo is convinced that Cooper is not the culprit. Except if he’s not responsible, then who is? And when a werewolf falls head over haunches in love with you, what are you supposed to do anyway? The rules of dating just got a whole lot more complicated. . .
Generations of werewolves have been secretly residing in a secluded valley a stone’s throw from Grundy, Alaska. So when a snooping Outsider comes to Grundy to investigate rumors of lycanthropic shenanigans in the area, the valley’s pack alpha, Maggie Graham, resolves to chase him away, even if doing so takes a quick bite on the butt. What a pity that researcher Nick Thatcher turns out to be so drool-worthy, and that his kisses make Maggie want to sit up and beg. Maggie just can’t seem to convince Nick to leave . . . and even worse, she can’t convince herself to stay away from him. Cross-species dating is problem enough for a harried alpha female, but on top of that, a rival group of werewolves is trying to move into the valley. With interpack war threatening, Maggie can’t afford to be distracted. Combining romance and a career can be tough for anyone; for a werewolf in love with a human, it may be disastrous. . . .
Lacey Terwilliger’s shock and humiliation over her husband’s philandering prompt her to add some bonus material to Mike’s company newsletter: stunning Technicolor descriptions of the special brand of “administrative support” his receptionist gives him. The detailed mass e-mail to Mike’s family, friends, and clients blows up in her face, and before one can say “instant urban legend,” Lacey has become the pariah of her small Kentucky town, a media punch line, and the defendant in Mike’s defamation lawsuit. Her seemingly perfect life up in flames, Lacey retreats to her family’s lakeside cabin, only to encounter an aggravating neighbor named Monroe. A hunky crime novelist with a low tolerance for drama, Monroe is not thrilled about a newly divorced woman moving in next door. But with time, beer, and a screen door to the nose, a cautious friendship develops into something infinitely more satisfying. Lacey has to make a decision about her long-term living arrangements, though. Should she take a job writing caustic divorce newsletters for paying clients, or move on with her own life, pursuing more literary aspirations? Can she find happiness with a man who tells her what he thinks and not what she wants to hear? And will she ever be able to resist saying one … last … thing?
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